the ink accumulation, structured by apiwat chitapanya for thai brand masaya, is a progression of furniture roused by the beat, development and stream of chinese calligraphy painting. the old composition practice is cherished as a type of craftsmanship in china and it holds a long history of both pride and delight for the nation. in reference to the broad style of the composed characters, chitapanya’s most recent pieces have been made to take after the consistent, streaming development of the ink.
chitapanya’s gathering involves a feasting seat, a stool and a seat. the eating seat is enlivened by the more extravagant, denser and better characterized structure of the calligraphy characters, in this way, offering balance to the seat. the tips of the legs are progressively streamlined and pointed, reflecting the cursive contents when the brushstrokes are quicker.
the second piece of the ink accumulation is the stool and seat, these two pieces are motivated by the nonstop development of the brush that makes healthy and sensitive lettering. assembled utilizing metal, the ink accumulation brings out a dynamic yet delicate stylish, consummately with regards to the style of chinese painting. enlivened by the synchronization and harmonization of calligraphy, the pieces plan to offer joy to the clients both outwardly and physically, comparatively the antiquated chinese work of art.